Bringing out the hero in everyday people is something Scott McAulay always aims for in his photography. Whether he’s photographing his family and friends, or small business owners and television personalities, his end goal is the same: to capture the hero in everyone. So when the opportunity to photograph TVNZ’s Survivor NZ contestants came along, it was a perfect fit.
“My passion for photography stems from photographing real people in their environment and making them look a bit heroic. Survivor puts real people into harsh, volatile environments and follows them as they make their way through numerous social, mental, and physical challenges,” Scott explains.
Born and raised in the UK, commercial photographer Lee Howell spent several years travelling the world as a Formula One mechanic before moving to New Zealand in 2006 and swapping his spanners for a camera. Not surprisingly, Lee began his photographic career shooting motorsport, but he quickly developed his skillset and is now best known for his stunning portrait work. He has a knack for capturing natural and engaging images of people, and this has helped Lee attract a wide range of top commercial clients.
Late last year Lee landed a plum assignment for well-known outdoor clothing brand Kathmandu. The job involved travelling to New York City in January to create images for the latest Kathmandu winter campaign.
Jay French has always been into the outdoors, and enjoys activities like hiking, biking, and snowboarding. After returning to New Zealand from living in London for a while, he started photographing at events and on trips that he went on.
“One day someone asked to buy one of my images. The next they were asking me to go and cover an event. Next thing I knew, my whole business model had changed to content creation! I’ve been a full-time pro-shooter for about three years now.”
After facing a challenging few months, Hamish Melville wanted to try and channel some of the emotions he had faced over that time into a new body of work. His aim was to create a fashion editorial that felt very intimate and unpretentious. What you’re seeing here is the end result.